Robert J. Wilson
Art
(School Project)
Interviewee:
Grandpa Robert “Bob” John Wilson
Interviewer:
Granddaughter Kayla Jo Wilson
Date:
November 2, 2011 Grandpa “Paint”
On November 2, 2011, I interviewed my Grandpa Wilson
because of his story of his life during the Depression and stages in his life
leading to his art career.
His full name is Robert “Bob” John Wilson.
He was born in
Kayla:
Horseheads is a very unusual name.
Can you tell me how
Grandpa:
Well, there are a couple of versions about what
happened during the Civil War.
One version is that the soldiers traveled a
long way, and a very large number of horses became sick and died.
The other version is that the soldiers had a
food shortage and ate a lot of the horses.
When they disposed of the remains of the
horses, the Iroquois Indians gathered the skulls and placed the horse skulls
along a trail.
The trail was called the “Valley of the Horses’
Heads”.
Kayla:
That’s interesting.
Were there any famous people from Horseheads or
Grandpa:
One interesting person that attracts a lot of
tourists is Mark Twain.
Mark Twain also went by Samuel Clemens as a pen
name.
Many people think of Mark Twain was from
Kayla:
Would you describe the land around Horseheads?
Grandpa:
There are a lot of big hills, the
Kayla:
What are some unusual last names of members of
our family?
Grandpa:
My mother’s last name was Cone.
I also think a couple of the other unusual
names were Phalaspher and Vanduzer.
Kayla:
Yes, those are some unusual names!
I’ll need to research my family tree for those.
How many did you have?
Grandpa:
It was just my brother Al and I.
My Mom and Dad separated when I was young and
we lived with my Dad.
Kayla:
Do you have any pet peeves?
Grandpa:
Yes.
I don’t like shaking hands with people because
I feel like it will spread germs even if you wash your hands.
When we shake hands in church, I would rather
not shake hands so I usually just give them a nod.
Kayla:
Since you were born in 1924, would you tell me
what you remember about the Depression in New York?
Grandpa:
My family was one of the lucky ones during the
Depression because my Dad was a car salesman and my Mother was a seamstress.
My Dad would go all the way to
Kayla:
I’m glad you were one of the lucky families.
Do you remember seeing very many poor people?
Grandpa:
Since our town was in a rural area, the
Depression was not as bad as those who lived in the city.
The
people living in the rural areas could grow and raise their own food, but the
people living in the cities had to buy more items, so it was tougher to live in
the city.
I remember seeing the hobos on the trains that
passed through the town.
The hobos would throw coal to people along the
tracks to help the poor heat their homes.
People would gather the coal to take home so
that they could save a little by using the free coal.
The hobos also knew which houses would feed
them a good meal and ear a few dollars.
Kayla:
I heard that it was tough to buy shoes during
the Depression.
What kind of shoes did people wear?
Grandpa:
Some families had trouble buying new shoes for
their children.
To make the shoes last longer, cardboard would
be put in the inside of the shoes so that the shoes could be worn longer.
Kayla:
I don’t think I would have liked not being able
to buy new shoes.
Did any of your family leave the area to find
work?
Grandpa:
I remember some of my cousins going to the work
camps. These
camps were for people who needed money and called the WPA (Works Progress
Administration).
A cousin worked on the Hoover Dam in
Kayla:
During the Depression when you were in school,
do you remember wanting to be an artist?
Grandpa:
I remember at the age of seven while living in
Kayla:
What did you win?
Grandpa:
I won a certificate.
The contest included the students from all of
the surrounding schools of
Kayla:
After you finished high school, did you want to
go to art school?
Grandpa:
Not right away.
I first went into the service because World
War II started, and I worked as an office clerk during the war.
I did not go overseas, but I was stationed in
Kayla:
What did you do in
Grandpa:
Well, I would get together at a gathering place
called “The Pen and Brush” with young artists to brainstorm cartoons for
The Saturday Evening Post, Ladies Home
Journal, Colliers, Boys’ Life, and other magazines.
To me, all of these artists were famous, but
one friend at that time was Charles Schultz who was the creator of the Peanuts
cartoon.
He was kind of peculiar that he did not like to share
his drawings.
At The
Saturday Evening Post, his office was next to my office.
Kayla:
Wow!
You knew the writer of the Peanuts cartoon with
the Snoopy character?
Grandpa:
Yes.
I also remember being friends with Mort Walker.
He had been a student at the
Kayla:
Wow!
That’s interesting that you were friends with
Charles Schultz and Mort Walker.
What did you do in the Korean War, and
what branch of the service were you in?
Grandpa:
During the Korean War, I was in the 8th
Air Force.
My job during the war was to draw safety
pictures, such as how to identify enemy planes and how to identify our planes.
I enjoyed drawing these pictures.
Kayla:
That sounds really interesting and important.
Did you go back to
Grandpa:
No.
After drawing pictures during the Korean War, I
moved back to
Kayla:
Is this when you met Grandma?
Grandpa:
Yes.
I met your Grandma at a dance at Wolf’s Dance
Hall on Troost in
Kayla:
What
other jobs did you have in
Grandpa:
I also worked at a drug store frying
hamburgers, and for two days I worked at a Montgomery Wards store selling shoes.
I didn’t like helping people try on shoes.
Kayla:
When did you move to
Grandpa:
I contacted the Missouri Farm Bureau in
Kayla:
When did you start drawing caricatures?
Grandpa:
I started drawing these in my spare time after
moving to
Kayla:
I remember sitting in Johnny’s Pizza Restaurant
and seeing a drawing you did hanging on the wall.
What
kind of people ordered these drawings?
Grandpa:
Mostly businessmen and politicians wanted a
drawing. At
one time, almost everyone in the State Capitol had one of my pictures hanging on
their wall.
The Governor, Senators, Representatives, and
others who wanted to honor someone special.
Sometimes they would order a portrait for a
birthday, retirement, or some special occasion.
Kayla:
Were politics portrayed in your portraits since
you drew for a lot of politicians?
Grandpa:
I kept my own politics out of my own art.
Instead I focused on providing a realistic
likeness that my subjects would be proud to display.
Kayla:
Why did your cartoon portraits have big feet on
the people?
Grandpa:
I always said that everybody is a clown and all
clowns have big feet.
Kayla:
How would you describe the cartoon portrait to
someone?
Grandpa:
I started out asking for a good picture of
someone.
This picture must be able to show me the eyes of the
person.
The eyes are a very important part of the picture.
I
have even been known to place a single flake of glitter in each eye to cause a
sparkle as you pass by the drawing.
The portrait has very true to life facial
features, and I usually included little signs posted around the subject
detailing the character’s interests.
I do not like putting anything negative in the
portraits because it helps the subject enjoy it more.
But, one time I did make a lady angry, and that
was the only one I ever made angry.
I also like to draw men more than women because
women’s hair styles change too often.
Kayla:
How much did you charge for a portrait?
Grandpa:
$65 without the frame.
Kayla:
How long ago has it been since you have stopped
drawing portraits for people?
Grandpa:
I think it has been about ten years.
My back started hurting leaning over the table
to draw.
Kayla:
I remember spending a lot of time with you
drawing on your art table when I was young.
That was why my nickname for you became Grandpa
Paint. "Life is a work of art, designed
by the one who lives it."
After interviewing Grandpa, I looked at the
historical society page on the Internet about Horseheads.
I found out that Eugene Zimmerman, who was an
international humorist and political cartoonist who lived in Horseheads.
He was also described as being an “excellent
illustrator and caricaturist.”
The house he lived in is listed on the National
Register of Historic Places.
The website,
http://www.horseheadshistorical.com/# said that
Zimmerman worked for the Judge magazine and traveled to
Grandpa “Paint” or also known as Robert Wilson
is now living in
In his self portrait below, some of the signs in the
picture read:
shaking hands spreads germs, flying saucer
info, how to enjoy
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